of a romantic comedy.On the one hand

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of a romantic comedy.On the one hand,[link widoczny dla zalogowanych], then, Say Anything seems to confirm many of the points Christopher Orr makes in his recent Atlantic piece about the dreadfulness of recent rom coms. Orr argues that romantic comedies these days are so bad because it's harder and harder to find a convincing "obstacle to nuptial bliss." Class, profession, race, parental disapproval—none of these, Orr says, are any longer realistic bars to happiness. Romance must have either serious dilemmas like illness—which ditches the comedy—or else hyperbolically ridiculous ones,[link widoczny dla zalogowanych], which make for bad storytelling. Or (as an alternative Orr does not specifically address) it must keep the protagonists separate by turning one or the other or both into horrible people, which makes the ending repulsive rather than satisfying. (Does anyone think that Eddie Murphy's character getting the girl in Boomerang was a happy ending? Anyone?) Related Story The Secret Science-Fiction Premises Underlying Romantic Comedies But if Say Anything in part